About us

INTRODUCTION

The Higashiyama Artists Placement Service (HAPS) is non-profit organization, established in 2011. The organization’s aim is to support Kyoto-based artists, who are suffering from a lack of: studio space, suitable exhibition space, affordable housing, and efficient industry networks. The opportunities provided by HAPS are crucial for artists to generate new prospects, and further their creative careers.
The HAPS office is located in the Higashiyama area of Kyoto City. This area of Kyoto is renowned for its traditional architecture: the Machiya. The Machiya are preserved under Kyoto City law, valued as assets of: significant cultural, historic, and national interest.
As of April 2019, HAPS is a general incorporated association.

MISSION

HAPS aim to support and promote emerging artists, while providing opportunities to artists who have already established an art practice. HAPS do not discriminate on medium, education, or age. The fundamental aim of the organization is to help all Kyoto artists’ achieve their goals.
HAPS offer support in many ways:
 
・ SPACE
The coordination and negotiation of suitable property for use as: accommodation, studio space, temporary exhibition venues, and storage.

・ EXHIBITIONS
Consultation on technical aspects: exhibition design; lighting; multi-media; budgets and associated costs*; publicity and marketing; exhibition installation guidance; preview and review; documentation; and collaboration opportunities.
 
* Please note that HAPS does not offer financial support to artists in the form of payment. HAPS works with artists to find realistic solutions to budget concerns, helping artists understand, and plan for exhibition/event costs. Where possible, HAPS will negotiate exhibition costs with external parties.
  
・ ARTISTIC ENVIRONMENT
HAPS create a supportive environment for artists in Kyoto by:
・ Sourcing options for obtaining materials and technology, for use in exhibitions and production.
・ Forming new relationships, and promoting supportive networks.
・ Providing access to discussion with peers, commercial gallery owners, and academics.
・ Creating opportunities for collaboration with other professionals in non-arts based business.
・ Help with finding stable part-time employment.
・ Offering constructive criticism.
・ Arranging meetings with key industry professionals. Organizing studio visits by professional Curators and other Arts professionals.
・ Development of personal documentation: artist’s statements, CV’s, and exhibition material.
・ Information and support on prizes, residency programs, and other professional development opportunities available locally, and internationally.
  
・ REDEFINING THE “ARTIST”
The word artist is often paired with adjectives that imply merit. For instance; the commercial artist; the conceptual artist and the political artist, are just some of the common descriptions used regularly. The terms imply success, or acceptance, and they classify. While these types of definitions are often helpful, they can be controversial. Classification often segregates, and excludes those creative people who fail to identify themselves, or fail to be identified by the art establishment.
HAPS see a need, and an opportunity in exploring the notion of the artist, asking: what is an artist? How can the one become an artist? What qualifications do you need? Do you need acclaim to be an artist, or simply the urge to produce creatively? Through this line of inquiry HAPS aim to look at how the artist is given status, and how this identity is exhibited in our society. HAPS want to explore art in all its manifestations, celebrating creativity, and identifying new opportunities for creative people.
 
・ PROMOTING A CIRCULATION SYSTEM OF CREATIVITY
Every individual’s creativity can affect society in a positive way. Creative practice sparks debate, provides a sense of belonging, and allows people to explore complex ideas. Collective creativity makes better urban environments, both in physicality and attitude, constituting social change.
Exhibitions are not the only way to present art, or experience art. Collections are not the only way art can make a significant contribution to society.
Moving away from institutionalized art systems and production, HAPS pursues an alternative circulation system of creativity, fostering positive change, creating a new paradigm for artists. HAPS do this by encouraging open networks of discussion and exploration of all artists in Kyoto, not just those in the commercial sphere.


RESEARCH

HAPS can provide researchers a variety of information on Kyoto-based artists. Please contact us and let us know how we can help you.
・ Curators and Arts Professionals
HAPS can provide documentation on specific artists, and arrange for Curators to make studio visits. HAPS offer support to those wishing to feature Kyoto artists in exhibitions, helping coordinate shows an exhibition material.
Please contact us directly, in advance, outlining:
 
  Your name and organization:
  Title of the project:
  Dates:
  Aim of the project:
  Your request:
  The location (if available):

  Providing HAPS with this information is greatly appreciated, it allows us to answer and effectively.
inquiries and questions


MEMBER

Committee Members

President
Mizuki Endo
curator

 

Vice President
Tomohisa Sato
Professor, Archival Research Center, Kyoto City University of Arts

 

Eriko Inoue
Professor, Kyoto Women’s University
Akiko Kasuya
Professor, Kyoto City University of Arts
Mami Katsuya
Program Director, Kyoto Art Center
Sunao Goto
Professor, Bukkyo University
Sohei Goto
Local News Reporter, The Kyoto Shimbun
Yumiko Goto
Curator, Kyoto Municipal Museum of Art
Masanori Kobayashi
Department Chief, City of Kyoto Government, Higashiyama Ward Bureau
Yukihiro Sugatani
Office Manager, The Community Association of Rokuhara District
Takashi Sunagawa
Senior Director, City of Culture and Art Promotion Office, Culture and Citizens Affairs Bureau, City of Kyoto Government
Mariko Takeuchi
Professor, Kyoto University of the Arts
Yasuaki Matsumoto
Professor, Kyoto Saga University of Arts
Yoshitaka Yazu
Artist, representative director “Kumagusuku”
Sohei Yamada
Associate Professor, Kyoto Seika University


Advisers(no particular order, titles omitted)

Akira Tatehata
Executive Director, Kyoto Art Center / President, Tama Art University
Noboru Tsubaki
Department Director, Kyoto University of Art and Design
Kan Shimamoto
Professor Emeritus, Kyoto Seika University
Kohei Nawa
Artist
Tadasu Takamine
Artist
Tomio Koyama
President and CEO, Tomio Koyama Gallery Inc.
Megumi Matsuo
Director, MATSUO MEGUMI+VOICE GALLERY pfs/w
Hiroshi Yoshioka
Professor, Kokoro Research Center, Kyoto University
Kozo Shioe
Professor Emeritus, Kyoto City University of Arts
Yoshihiro Yoshida
Vice-Mayor, Kyoto city


General Incorporated Association HAPS

Mizuki Endo Representative Director



ACCESS

339 Yamazaki-cho Higashiyama-ku, Kyoto
605-0841, JAPAN


HAPS Office

e-mail: info(@)haps-kyoto.com

助成: